2012
We’ve got a working demo of our curatorial project built in Korsakow. For now, we’re using the default interface and have a few glitches and details to work through but we feel that already Korsakow is proving an efficient curatorial tool
Intro: Independent and Valuable Openness of the political process and the ability for free people to govern themselves are necessary requisites in a democratic society (Zassoursky 2002:427). In order for people to govern themselves they must
Dr. Amma Y. Ghartey-Tagoe Kootin (known as “Dr. Amma”) practices and studies the intersections of academic history and performance (i.e. theatre, film, and television). Her research interests center on the African Diaspora, particularly the impact
“My talk will be on a fundamental shift from ontology to “otology” a propos the notion of genuine hearing/listening, in Heidegger and his “friends,” Kaja Silverman, Derrida and Nancy.” – Paul Gordon Paul Gordan has taught at the University of
We’re using Korsakow software to prototype a dynamic archiving model for a Brakhage Center sponsored Film and Poetry Conference from 2011. The process is documented and blogged by Dr. Mel Hogan, who is currently a
During his lecture, Auguiste outlined numerous ways of thinking about the archive: an as object of critical inquiry; as the embodiment of historical events; as the formation of discourses; as epistemological foundation of the archive as
Having now completed the inventory of the 2011 Poetry and Film Symposium put on by Tom Gunning and the Brakhage Center for the Media Arts, Eric Coombs and I now combing through the various media files associated with the project: images, pdf
After much time spent organizing our media assets and splicing audio, we’re ready to perform a few tests in Korsakow. Because of a small glitch, we’re opting to use the Beta version (and to become Beta testers). Our process today consisted of
I’ve just embarked on a project at the Brakhage (Media Arts) Center (University of Colorado – «Ƶ), and my job here is to come up with modes and models for digital curation. The idea is to help showcase various collections in
Kirk Ambrose is associate professor and chair of the department of Art and Art History. In addition to many articles and book chapters, he is author of The Nave Sculpture of Vézelay: The Art of Monastic Viewing (2006) and co-editor of Current