Poetry (2012)
our patterns make legs, Alan Bromwell
our patterns make legs
(i like to close my eyes
and forget which limbs are
mine) and secretly we
both know that our skin
robes are plastic hoods
unpeeling were it not
for their shrill separatist duty.
my symbols are hers too
(like a flittering whim or
a paltry dusk or a silly
shroud of ‘afternoon’)
and intimately we craft
reasons for the slipping
away of the evening.
now I had seen in her, Alan Bromwell
now I had seen in her
thin shivering legs (lemon
corduroy) a certain red
flailing hello, and in her
crackling wet windows too
I watched her spritely
rhythm nod.
before my mind, a
flimsy cabinet of
paper-cup telephones
and splintery twine, had
seen in her face five
lopsided prior.
it was a lovely pink
goodbye
Aurora (II), Alexandra Fresch
Aurora (II)
Aurora you were not my first house but now you are
Aurora all I remember are your vacant lots alive with dead
yellow foxtails and weather-gnawed trash and tiny paper rat skulls and grasshoppers springing from my feet
Aurora I was so young and you had no children for me
Aurora I had to play alone ranging over your Kentucky bluegrass lawns wobbling in the heat
in the dirt where I dug deserts in puddles where I set earthworms to suffocate while I unaware
of their simple long-brained fear watched them arrow through the water, elongating like pointed Slinkys
in the summer-melted tar on the streetedge where I built leaf sailboats and staked pillbugs on pyrocanthia thorns for the birds passing uncatchable like gods
Aurora your Highline Canal ran wet and dry like a wound where downstream crops nursed greedily in summer where the mallards
glided scolding to themselves like brooding hens and I threw stones to make them shout and scatter and fear me where I
stabbed branches to break the tiled soil and boil over anthills like giant red-jawed water molecules
Aurora your Highline Canal where my parents told me never to linger after dark, for fear of the very things that I always wanted to be
four-pawed dangerous eyes glowing like lanterned slashes in a rice-paper screen
Aurora your streets held a squirrel curled up too stiff to be asleep, a comma of foam at the corner of its mouth
Aurora your nights shattered with that hoarse cri du chat not even my parents knew; they told me to shut my window
against whatever it was, a bobcat or a cougar or a madman hunting smooth-gaited through the bushes
Aurora your days were long enough for me to think like the peppermint rioting by the drainspout—that I would know nothing else
no friend to ever roam with me, my uncatchable self
Aurora but your insects and your swarming sun
Apples, Jennifer Burnham
Apples
Summer is here
Dust lounges on my tongue
I hold my case in damp hands
Rap on the scorched screen door
The sun sears
I listen
Fat sipper footsteps, a weary metronome
I see him now
Segregated through a patched screen door
Yellow eyes blink in rheumy sensual excitement
My feet itch
ripe apples waft
The door opens
I squint
walk into the dim foyer
Hello Grandfather
Stop Light, Jennifer Burnham
Stop Light
The pavement looks
like whale skin tonight
From the recesses
of crosswalks and corners
Mouths gaping,
opening and closing
Mackerel
I wonder if the
doors are locked
A Vastness - Georgia, Jesse Edwards
A Vastness—Georgia
the time before me is the sun is crammed
is fishing for a reaction
and moving on
and left outside
small wheels still spinning
every house had a mud room
every mother had peroxide
Evan walks the waterwheel,
pockets the emblem
from a bootleg truck rusting,
as everything does not
the cadence
of a dog
marking its territory
and a pack of Virginia Slims
because we didn’t know what to buy
buzzing in dead leaves
the cops came
Evan explained
our patchouli wasn’t dope
and I forgot his twin’s birthday
my dog bit my mouth
and puncture and wound and don’t look
I never properly cried
till five years later
when dad showed me a cotton plant
I told him
my friend doesn’t know if he’s straight or gay
and in high school I cried for
the Banks-Jackson-Commerce Medical Center
built over
my Wounded Knee
and mine over another’s
Broken Bells, Sarah Elsea
Broken Bells
You gave me these things to read: a book
Of sonnets, directions
From my roof, my own peeling
Skin. The river pregnant with
Dead grass and dirty water
I had nightmares I couldn’t remember
In the morning.
 &²Ô²ú²õ±è;
I kept working at the knots
in my jaw line untangling the words
I would’ve hung like bells on your ankles. I know
her legs to be tall tales and failings I know her long
snakes spinning knots into her hair.
I know her voice to be a citronella candle.
My voice was just burning out
the backdoor streetlight.
 &²Ô²ú²õ±è;
Your rusty veins ran sideways
Through your arms around your traintracks:
There are cracks in your knuckles from
Baptisms and sweat, the things I
didn’t ask you.
Sickle, Sarah Elsea
Sickle
in the couch cracks
crevices
mannitol, polyethylene
glycol propylene
glycol
twisted fork tendrils
at the throat back
float weekend
weekday bookend
benzophenone-
4
things that will kill you
trying to hard
en,
uncooked chicken
thyroid disease
spontaneous
dynamite.
fork in your throat
sidewalk throat
fingers down your
float bookending
shoelace
mace.
flying chairs.
Dear Sir or Madam, Mickey Bakas
Dear Sir or Madam:
It broke through the skin of my gums,
the tooth.
Two cusps.
I open my candy-cane jaw,
and kiss your missing eye.
Dear Friends, Mickey Bakas
Dear Friends,
the hidden sidewalks:
I hate it when you look at me.
I wrote down the season,
the situation of the leaves.
Dear Children, Mickey Bakas
Dear Children,
Never meddling with the surface of the couch,
or brushing the bathtub horse with a dirty sponge.
You too will grow up to be horrified at night.
Cold and shoeless on the elliptical,
and alone.
Loved Ones, Hannah Warner
The last time I saw you, you had wet yourself and curled your legs into your stomach.
We stood together, waiting, watching –
°Â±ð’r±ð in the hospital again and
you’ve covered your hands with butter,
the repetitive motions,
daily life in delirium –
we gave you the full two doses this time and
you spread it over my eyes faintly Vaseline,
the halos of oil
°Â±ð’r±ð
everywhere
·É±ð’r±ð
standing at edge of the
the overwhelming sky
the fence
the rolling earth
Lingering soft undertones coming from your bed –
your body
such a small body,
those disjointed sheets,
you are less and less and
less and
less
I am a child, a little plaything
I remember going in to wake you in the mornings
you would grab me and tickle me.
I remember
I would loose air
trying trying
to scream
how much how much
how much air for
sound
much and
many many times you wouldn’t
trying trying
you wouldn’t the sound
shouting and you
never wouldn’t
air air air
woudn’t you can’t
you can’t hear me.
You are dying of lung cancer.
Breathless.
I’m trying.
looking at him like this
nakedness, vulnerable
I see you shrinking up
looking for pants
needing pants.
the things that build up on bodies.
I can see the sunspots sores
on you
the markings
you are so much smaller than me now
I search for something to say that will unburden you
but
I know that it’s always been like this
this heavy clothing
I can feel myself reducing
dwindling
keeping you company
ignoring the fences
the fences
the fences we are
the perils of life
but
I know you are unaware
searching for your pants
trying to get home.
Waiting
waiting for lost insurance
the other grandchildren
and sons
and and the daughters
all the others
we are the boxing motions of all these
missing items...
I am
absent family packages
it’s fogged detachable eyes.
I don’t recognize you
after all that’s
spilt all this
some point some motion,
·É±ð’r±ð rocking back,
again the distaste of –
my dad kept you alive, waiting for the rest of them to arrive
the recognizable night
pulling at your oxygen mask
sliding it down your face
you’re waiting for that family portrait
it is endless,
late
unrecognizable
regardless, we continue
we are kicking the same bucket
everywhere just to be
almost over
to be
just
another
another
another
Grandma clings to the wooden box etched with Aspen trees.
I’m trying to understand shrinking
I am grown but my size stays uncertain
waiting to
diminish back down
recoiling into that
sterile
bed
how you go on reducing after death,
how even you
even though you were fully grown,
you are miniscule and ash.